Swedish designer Bruno Mathsson was born in Varnamo in 1907 into a woodworking tradition. His father was a well known cabinetmaker producing well crafted wood furniture as had the four generations of Mathsson's before him. He grew up learning the technical skills to make furniture, the feel and nature of wood and the tradition of excellence.

Furniture designer Mathsson wanted to learn everything he could about the technical issues and design styles he worked with. He taught himself by reading books from museums and design centers and networking with other designers. Functionalism was a design style that Bruno was very interested in. He actually won a scholarship for one of his functionalist chair designs.

Not content with the limitations of traditional flat board furniture, Mathsson experimented with chairs without the springs and heavy upholstery, some that could be adjusted in position, and all with clean, elegant line. Some were so controversial that they were hidden in storage until he became a famous name.

Mathsson was so interested in what he termed "the mechanics of sitting", that he decide to attempt experiments to learn which pattern a human made when they sat down, even going to the extent of sitting in the snow to observe the result. Mathsson received a Grand Prix design award in 1937. By that time, his chairs were being displayed to the world again.

One of his classic designs is the Pernilla chair. It's made in various formats with bentwood, incorporating lamination into the design itself. It can be made with webbing or upholstered. During the war, material shortages forced Mathsson to experiment with alternate fibers like jute and hemp, and thus this design can easily be adapted to other materials. These chairs traditionally include an attached pillow.

Another of Mathsson's famous designs is the Mathsson Fällbord table, which was a modular table design allowing folding and reconfiguration in many different layouts. Designed in 1935, it remains to this day a strikingly modern piece of furniture. Its timelessness is similar to many of his other works, which are highly sought after even today.

One final piece of Mathsson furniture that has to be mentioned as one of his classics is the superellips. Another of his tables (Mathsson bord), the superellips adds to the huge selection of Mathsson designs that is simply growing in popularity and value over time. To have designed so many timeless classics is an enormous testament to this legendary designer. Mathsson raised his family's craft to an all-new level prior to his death from illness in 1988.